MELBOURNE FROCKTAILS is an annual event that I excitedly anticipate like a kid waiting for Christmas.
Not only is it a great opportunity to get dressed up in a new me-made, but it enables me to mix with a small part of this wonderful sewing community that I love so much.
This years wonderful event, flawlessly put together by
Shelley and Lisa, saw a bunch of fabulous women gather in self-made clothing, sharing stories like we've all known each other for years.
This year, I decided to put aside my recent practical sewing, and get stuck into some of my all time favourite, sew-jo boosting type of sewing; FROSTING.
Have you heard about the recent 'Cake Vs Frosting' challenge, hosted by
Closet Case Patterns and
True Bias? You can
read all about it here.
My wonderful, talented friend
Leisl and I had our photos taken by the amazing
Samara Clifford in the middle of our beautiful city. The photos was such a great way to give justice to gowns that we had spent so many hours working on!
The Fabric
A stunning sequinned lace, of the most beautiful quality from
Lots Of Fabrics. It's a stretch fabric with small, densely sewn sequins that did not shed or break after an evening of sitting and mingling.
I underlined the lace in a neutral toned, soft merino wool from
The Fabric Store.
In addition the bodice is lined with the same merino wool, and the skirt lined with a stretch jersey from
Spotlight.
The Pattern
This dress is one of those fabric-before-pattern scenarios, where I had purchased the yardage and was not yet sure what I was going to make.
Eventually I settled on an evening dress with a classic silhouette, so as to let the fabric do most of the talking.
Bodice
I ended up using an old faithful pattern that is meant for woven fabrics. I'm normally a size 12-14 in the bodice, so to accommodate for the extra room that stretch fabric would give, I cut the bodice in a size 6 and the negative ease was perfect.
Skirt
I drafted my own skirt with one seam down the centre back, so as to not interrupt the pattern of the fabric with side seams.
Effectively, it was a big rectangle cut on the fold of the fabric, with a slight mermaid tail at the hem.
The width of the rectangle was half the circumference of my waist, and the length of the rectangle was my measurement from waist to floor. I then tapered the skirt in at the centre-back from the waist to just above the fullest part of my bottom/hips.
The Details
I spent a LOT of time working out exactly where I wanted the detail of the sequin fabric to be positioned on the dress. I cut out each individual pattern separately, making sure that each piece perfectly mirrored its twin.
I HAND APPLIQUÉD sections of the fabric around the midriff to create a smooth transition of the pattern from the bodice to the skirt.
I took great care in PATTERN MATCHING the lace down the centre back seam of the skirt.
HORSEHAIR BRAID was hand stitched into the hem for a bit of extra fullness.
The sequin fabric is both UNDERLINED AND LINED for the entire dress.
Button loops and 18 BUTTONS SEWN BY HAND, close the dress down the centre back.
The underlining and the lining of the SKIRT are sewn together at the hems, which sits just above the knees. This stops the skirts from riding up or shifting away from each other.
WATCH this dress in action below:
Sewing With Sequins
Guess how many sewing needles I broke. You might need to sit down for this one. NONE!
I know, right?!!
I changed my sewing machine needle to a stretch needle (I used a SCHMETZ 'Stretch' 130/705 H-S 90/14) and I don't know what sort of wizardry was placed on it, but it just. did. not. break.
If you're thinking of trying sequined fabric, it is advised you removed the sequins from the seam allowance to eliminate bulk, and to stop your needle from snapping on all of those little bits of plastic.
