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Showing posts with label Vogue 8280. Show all posts
Showing posts with label Vogue 8280. Show all posts

Tuesday, 15 October 2013

The Hay Fever Dress - Project Sewn Week 3

Thanks a gah-zillion to everyone who voted for me last week on Project Sewn. I made it through to the next round!! Wah-to the-hoo!

For Week 3 the theme is 'Graphic Print' and here's my bright florally entry. Makes my nose itchy just looking at it! It's Spring in Australia and that means hay fever time. Goodbye jumpers and cardigans, hello tissues.

Once again, check out the fabulous entries and VOTE for your favourite!


I learnt something about myself with this challenge. I realised that even though I love prints and they are well represented in my gigantic fabric stash(es), I rarely actually sew with a print! Turns out when I go into a fabric store without a project in mind I buy up on prints, but when I go in with a pattern or a design in my head first, I lean towards solid colours. Curious-er and curious-er.


In fact, three quarters of my garments in my past projects are with solid colours. I need an intervention.


I loved this challenge for breaking me out of my design cycle and letting the design be inspired by the fabric first.

So here's the nitty gritty:

Pattern
I used the bodice of Vogue 8280 for this dress with some heavy modifications. You can check my original review of this pattern here to see the changes I made.

I drafted my own skirt and sleeves.


Fabric and Construction
For the shell of the dress I used a beautiful cotton sateen that I bought on sale from Spotlight for $4 a metre. This.never.happens.to.me. Cue high-five-ing strangers.

The dress is fully lined, and closed with an invisible zipper down the centre back.


The feature of this dress is a row of pleats along the hem of the skirt and the sleeves.

This took foooorreeeevvvveeerrrrr! Each pleat was individually sewn down and took a total of 4 metres of fabric and four hours to complete. I love the effect though so it was worth it.

I cut the pleats on the straight grain to make them more rigid and less stretchy. This gives the pleats a nice little kick out at the edges which I love.


I love the heart shape of the bodice and the galaxy dress shape of the shoulders. It just feels so freaking feminine!


Styling
Flower crown from Sportsgirl
Red leather bow belt from JigSaw
Patchuli Floc shoes from Melissa Shoes
Chanel lipstick #98 - This is my new absolute favourite red. Not too dark, not too bright, not too shiny, not too matt. Just perfection!


Special Mentions
Today, the 15th of October is mine and my husbands second wedding anniversary and the first with our baby boy. Don't want to gross you guys out too much but I really love this guy. More than sewing. And fabric. That's a lot.



Don't forget to check out the other entries and VOTE for your favourite! Voting closes Thursday at 8pm MDT.

Thanks again for all your support! :))

Sunday, 8 April 2012

Cherry Blossom Dress + Give Away Winners!

Julia Bobbin, rose sleeves

It's officially Autumn in Australia and the warmer fabrics in my fabric stash are starting to come out of their hibernation. It was just the other day when I heard a sleepy, muffled voice coming from the fabric cupboard saying "Gee, what does a wool faille have to do around here to get made into something".

What I am looking forward to for the upcoming cooler season is sewing with more winter fabrics like wool faille and heavier cottons.
What I'm not looking forward to for the upcoming cooler season? Being cold.

Hello indoor heating.

So I'm taking inspiration from Washington D.C. for my latest, admittedly quirky creation. There in D.C. the weather was warm and cheery. On my recent visit to Washington D.C. I was not only in awe of the marvellous fabric that I purchased, but of the beautiful cherry blossom which was in full bloom.

But before I assault you with my many, many finished project photos, let's talk ...


Give-Away Winners!

There are two winners today from two different giveaways, the lipstick red wool crepe fabric and the $25 gift voucher for Patterns From the Past an online store for vintage sewing patterns.

Both of these winners were chosen at random using www.random.org

And the winners are:

2 yards of red wool Crepe
Brianna from the blog Brianna auf Deutsch


$25 Gift voucher to spend at Patterns From the Past
Sassy T from the blog Sassy T Sews

Congratulations ladies! I will be in contact with you shortly with details!

Now back to the dress!

I made the sleeves resemble blossom in honour of the beautiful cherry blossom we saw in D.C.

 Julia Bobbin, Vogue 8280

I made the sleeves the same as my A rose is a rose, is a rose, is a rose dress which you can see here. Once you know how to make them it's so easy, and no hand stitching! True story!

Julia Bobbin, ruffled rose sleeves

If you're interested in making sleeves like these yourself, you can watch my Rose Sleeve Tutorial

Julia Bobbin, Vogue 8280, ruffled rose sleevesJulia Bobbin, ruffled rose sleeves, vogue 8280

 I used silk dupion for the skirt, and for the bodice and sleeves I used pink cotton/lame blend which was left over from my Cotton Candy dress.

Julia Bobbin, Vogue

Ruffled rose sleeves, vogue 8280

I once again employed the use of an elastic band for the waist which accentuates the smallness of the middle against the hips and encourages that vintage silhouette.

Ruffled rose sleeves, vogue 8280, Julia Bobbin

Julia Bobbin, Vogue 8280, ruffled rose sleeves

I clashed the pink with the red which gives quite a quirky look which I'm sure is not for some, but heck, I like it!

 Vogue 8280, ruffled rose sleeves, Julia BobbinJulia Bobbin, Vogue 8280, ruffled rose sleeves

It also reminds me of the cartoon character Strawberry Shortcake, which makes me happy in an inexplicable way. Every one should have a strawberry hat. Seriously.


I love how the ruffles on the sleeves resemble flowers. This dress will be a good pick-me-up when it really starts getting cold here in Melbourne.

 Julia Bobbin, Vogue 8280, ruffled rose sleeves
 Julia Bobbin, Vogue 8280, ruffled Rose Sleeves

For the bodice of this dress I used Vogue pattern 8280, the galaxy dress! See my previous dress I made using the galaxy dress pattern here. I used view B with the sweet heart shaped neckline.
I substituted my own drafted sleeves for the base of the rose sleeves.

 Ruffled rose sleeves, Julia Bobbin, Vogue 8280 Julia Bobbin, ruffled rose sleeves, vogue 8280

The skirt I used a simple 3/4 circle skirt and cut it on the bias for extra flare. This helped the skirt kick out at the hem.

Julia Bobbin, Vogue 8280, ruffled rose sleeves Julia Bobbin, Ruffled rose sleeves, Vogue 8280
  

This dress is pretty unique, in fact so 'unique' that I'll probably never have the guts to wear it out in public. But I do love how pretty and girly it looks and I'm pleased with how it turned out.

On a side note, I was very happy to be featured in the Pattern Review blog as the member in Focus! If you're curious you can check out my interview here. Thanks Pattern Review!


Happy Easter everyone!

All the best to you and yours xxx

Julia Bobbin, Vogue 8280, ruffled rose sleeves



  

Friday, 27 January 2012

A Seamstresses Guide to the Galaxy - Vogue 8280


The other day I had one of those fantasy scenes in my head that they have in the movies.
You know in a scene where a character meets someone, has a bad experience and it's then followed by an imaginary, impulsive sequence of how they wish they could react, usually something along the lines of punching that other person in the face or screaming at them some crass profanity. Then it cuts back to reality where they have not acted out but instead they just smile and be pleasant and act like the person hasnt just infuriated them.

Well I had one of those scenes not so long back – in a big-chain fabric store in Melbourne. Now when I say fabric store, this place is now less of a fabric store and more of a $2 junk shop. You are more likely to find a back scratcher or a nose-hair trimmer in this place then you would a metre of silk.  Thank God for fabulous stores like Tessuti or my sewing projects would be severely jeopardised.

My altercation occurred in the middle of the day with a good-looking young girl, around age 18 who worked at this store. She had cut the wonderful fabric that I used to make this dress. She held it up against her to fold it (I had purchased quite a bit) and I noticed how well the colour looked against her face. You know how when you hold up a colour to your face that really suits you and your face just warms up and looks healthier? That's what happened with her; she looked lovely!

So I told her.

Me - "Oh my goodness, that colour really suits you, you should get some!"

Her reaction? Wait for it ... she pulled a vomit face. Yeah, that's right, she screwed her face up and pretended to vomit.

*insert violent fantasy scene here*

Um ... what the H? She then proceeded to tell me that she didn't like 'girly' colours.
Ok.
This is where I employed some serious calming techniques to stop my self turning into the hulk in the middle of a busy store. Wow. A girl who works in a fabric store and doesn't like 'girly' colours? That's like a painter hating paint or a kindergarten teacher hating children. 

Breathe.
Any waaay. I smiled and nodded and walked out of the store and held my new purchase to my chest for support.

The good news is I like the fabric and I made a lovely new dress with it.


The dress is the Vogue version of the galaxy dress, pattern number 8280. It's been around for a while now but it's only recently that I really started paying it some attention. I've seen some lovely other versions out at the moment and nothing motivates me more than envy.


I like the feminine shape of the pattern and combined with the rich colour of the fabric it gives a nice vintage feel. I fell in love a while back with a Joan dress from Mad Men (let's be honest, who hasn't) because of it's shape but mainly the colour. I'd been on the look out for a similar colour ever since and was very excited to make this find.


Let's just take a moment to appreciate the awesomeness that is Joanie.

Ok.

The fabric is a combination of 45% silk and 55% polyester. It's the same as the black fabric I used to make the skirt part of my The Survivor dress. The silk gives the fabric a richness and vibrancy, while the polyester gives support and strength. If the store stocked more colours I would buy up on all of them.


I fully lined the dress and I added a pink bow as a subtle detail and to break the solid colour.

I made up version B of the dress.


I love the sweet-heart neckline and the puffy sleeves.



I made this dress up in a size 12 bodice, size 10 sleeves and size 14 on the skirt from the hip down. I was smart enough to make a muslin first and I highly recommend any one considering making this pattern that you do the same. It's a lovely pattern but I made quite a few adjustments.


At the end of the day if I was to make this pattern again I would probably make the whole bodice in a smaller size. A lot of other reviewers (why do I only read them now?) commented on how the size runs a little big.

I am short in the torso so one of the first things I did was remove 2cm from the height of the bodice.

I have a full bust, but it starts higher up on my frame so bodices always seem to swim on me at the top. I removed about 3cm from the back starting at the arm hole as it was gaping.

You can see in the above picture the dart I made at the arm hole and also the adjustment at the bottom to remove 2 cm from the height of the bodice.

I 'pinched out' the excess fabric on the front bodice and ended up removing (by making another dart) about an extra 1cm not too far down from the waist dart apex.


I must say it is quite difficult pinning adjustments on your self, I don't know why I didn't use my dress form this time around, but once I had started I couldn't stop!


The fabric was gaping at the side seam under my bust so I also increased the bust dart on the side by an extra 2 cm. You can see in the above picture on the side how I've penciled in two new lines.




I removed a fair bit of excess fabric from the flange pieces as well by creating a dart. On a side note, what sort of word is 'flange'? 

And finally I reduced the width of the sleeve at the hem by a whopping 5cm. You can see in the picture below that I sliced off 2.5cm on both the front sleeve and back sleeve. I have quite skinny arms and when I first tried on my muslin sleeve I almost had to turn side ways to walk through a doorway (slight exaggeration).

I also didn't add any netting in the sleeves as the fabric had enough stiffness to it that it didn't need it.


The result was a nice snug fit. I'm sure there are more professional ways to make these adjustments but I think it worked regardless.


I do feel like such a lady when I put this dress on. It certainly encourages hip swaying and hair flicking and I just love the colour of this dress!


Maybe I should walk into that fabric store with this dress on and get all Julia Roberts on the staff member and reenact the scene from Pretty Woman where Vivian walks back into a fancy store, arms laden with recent purchases and exclaims to the horror of the shop ladies 

"Big mistake. Big. Huge!" [turns away] 


On an exciting note, look at these fancy patterns I just purchased from the Vogue Patterns website. I'm always impatiently waiting for more pattern designs and I'm excited about a few of the new ones.

There's something crazy going on with the neck band and shoulder straps and I think I like it!

This one definitely looks like a cocktail dress and will be great for those nights when I want to get a little vampy. I could imagine this in a bold red or electric blue.

Oh yes please. I love the drape and the pleats (which you can't really see with this print - check the line drawing below) This dress would look awesome in a mustard drapey silk fabric. I'm probably most excited about this little number.

I love all the fancy pleating on this one and the elastic waist band. Hello easy eating!
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And just when I think I'm almost up to date on my 'must-sew' list, I've just gone and added another six.
It's a hard-knock life.