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Showing posts with label Tutorial. Show all posts
Showing posts with label Tutorial. Show all posts

Sunday, 3 May 2020

DIY Linen Summer Dress - a Mini Tutorial

Julia Bobbin - DIY Linen Summer Dress

It's a summer dress! Just in time for winter in Australia!

I made this dress when the weather was still nice, and it got a LOT of wear, let me tell you!
It's comfy, it's pretty, and it can be dressed up or thrown over bathers; it's a win-win!


Julia Bobbin - DIY Linen Summer Dress

The Fabric

I used the 'linford grape/ washed linen from Tessuti Fabrics.
It's a light weight (110gsm) vintage washed linen that feels like you're wearing nothing!

Julia Bobbin - DIY Linen Summer Dress

DIY YOUR OWN!

This was such a quick and easy make that I hacked using a camisole pattern and you can too!

The Bodice
Grab a cami pattern that you have tried and used in your stash!
I used The Misty Cami from Sew Altered Style and eliminated the centre front seam by cutting it on the fold.

Find the waistline on the pattern and mark draw a line to mark it. Cut out a bodice front and back from the waistline mark upwards.

Construct the bodice as per the pattern instructions, leaving the waist unfinished.

The Skirt
The skirt part of the dress is two long rectangles that have been gathered and attached in tiers.

SWIPE the photos below to see the mini tutorial below on how to draft the skirt:


The Hem
To add to the relaxed look of the linen, I machine stitched along the hem circumference, 1.5cm from the raw edge. I then frayed the edges up to the seam-line.

Final Thoughts

This was a quick and easy make and such a great addition for a warmer climate. I can definitely see me making more of these dresses for next summer!

Julia Bobbin - DIY Linen Summer DressJulia Bobbin - DIY Linen Summer Dress

Friday, 13 March 2020

TWO Tutorials - Couture Rolled Hem + Hand Pick Stitch AND a Silk Slip Dress

julia bobbin
julia bobbin

Hi sewing friends!

Today I have two mini hand sewing tutorials to share with you, and a fresh new silk slip dress!

The Dress

Made with the most divine, 22mm silk satin from Tessuti Fabrics, this self drafted cowl neck dress features:
  • fully lined in a beautiful chocolate silk satin from The Cloth Shop
  • French seams
  • Bias cut silk
  • pick stitched underlining
  • bias cut spaghetti straps
  • hand rolled hem
I love taking a simple dress and making it 'extra' by adding couture techniques, such as a hand pick stitched lining instead of a machine under stitching.

Hand Sewing Is Your Friend!

Typically, when we think about hand sewing we associate it with 'hard work', but friends, I am here to tell you that hand sewing is misunderstood!

I used to do everything I could to avoid hand sewing, associating it with the chore part of making a garment; necessary but not enjoyable.
Looking back I realised that the reason I felt that way is because I never really understood HOW to do it, and didn't appreciate how transformative and useful it was to a garment.

Once you realise the benefits of hand sewing and learn how to do it (it's actually easier than using a machine!) the dread is taken away. In fact in my experience I now actually enjoy it! Now I look at patterns to see where I can actually substitute machine sewing for hand sewing.

So what are the benefits of hand sewing?
  • AESTHETICALLY PLEASING - there is nothing quite like hand finished details on a garment. It signifies couture and indicates the amount of effort and love put into a garment. The slight variations in stitches that are typical of a hand stitch, are in stark contrast to the uniform flat stitches of a machine.
  • THE CONTROL - Hand sewing allows you to be exact. You can manipulate the fabric in front of you and place it exactly where it needs to go. 
  • KINDER TO YOUR GARMENT - When you sew on the machine, you're forcing your whole garment under one small space, the needle. With hand sewing, you can sew with the garment on your lap, on a dress from, standing and sitting. You work on just the relevant area and don't add stress to the rest of the garment.
  • DELICATE FABRICS -When sewing with fabrics such as silk, hand stitching allows you to use less thread, and control the amount of layers you want the stitch to go through. On a machine the thread is continuous and goes through all of the layers, which can distort the fabric. Ever tried sewing a machine stitched narrow hem on bias cut silk chiffon? It's almost inevitable to end up with a hem that is twisted in some spots. This is basically non existent on a hand rolled hem.

The Hand Rolled Hem

SWIPE for left and right-handed views.

I am currently having a love affair with hand rolled hems. It just seems to be one of those things that once you've tried it, nothing else compares.

Not only is a hand rolled hem visually pleasing with it's tube like plump finish, it is also mesmerising how it works! Making those stitches and then pulling the thread and watching them roll, is some sort of sewing magic. WATCH the first video above to see it in action!

As with anything, there are many ways to roll a hem, but the above is how I do it.
There are two types of finishes for a hand rolled hem: The Italian and The French finish.

THE FRENCH rolled hem has the roll turned to the 'wrong' side of the fabric, which is typical for dress and skirt hems.

Above is an example of a French rolled hem, where the roll is on the 'wrong' side of the fabric.
This silk/wool blend pocket square is from Gentelman's Gazette.
THE ITALIAN rolled hem, and my personal favourite, is where the roll is turned to the right side of fabric. 
This is a typical finish on couture pocket squares (my other current obsession) and scarves and a favourite for couture houses such as Hermes (which is French; the irony!).

An Italian rolled hem, the roll is visible on the 'right' side of the fabric. The above silk twill pocket squares are from Rampley & Co
The Hand Pick Stitch

SWIPE for left and right-handed views.

A pick, or prick stitch refers to small, subtle back stitches that can be used to under-stitch a facing or lining (as I've done in the above video for my slip dress), or as decorative top stitch on garments such as lapels and pockets.

A hand pick stitched lapel on a suit is a strong indicator of a bespoke, high quality suit. Because of this, many 'ready-to-wear' brands use pick stitching on their garments to make it look high-end, but when you look up close, the uniformity of the stitch is a clear give away that it was done by machine.

A hand pick-stitch has slight irregularities and is usually done with a silk thread. Once you see the difference it's quite easy to spot.
A subtle, hand pick-stitched lapel from bespoke tailors Burdi Clothing
Final Thoughts

The more I go down the rabbit hole of couture sewing, the more I fall in love with it and want to learn more! 

What excites me the most, is that these techniques, though they may take a bit more time than a machine, are not complicated or reserved for the experienced and highly skilled. They are repetitive, easy enough stitches that home sewers can achieve whether beginner or advanced.

The end result is something beautiful, well engineered and a push back on fast fashion where everything is mass produced and not built to last. Hand sewing for the win!

julia bobbin

Monday, 2 December 2013

Tutorial: Pleated Detailing + Giveaway Winner


It always amazes me how different a dress can be by adding a little design extra. One of my favourite extras to add to an outfit is pleats. I love how it can make it a simple dress look more interesting, or a give a hem more body. This tutorial will show you how to make those pleats.

The good news is they're easy to make!

What you'll need:
  • More fabric! - And you were just looking for an excuse to buy more weren't you. You're welcome.
  • One ruler - the measuring type, not the presiding over a kingdom type
  • Scissors
  • Sewing chalk - two different colours
Julia Bobbin: Tutorial - Pleated Detailing
Let's do this:

With a measuring tape, measure the width of the area that you are wanting to add pleats to. For example the width of your hem or your cap sleeve. Write this figure down.

Julia Bobbin: Tutorial - Pleated Detailing

Cut out long strips of fabric. The total length once joined together will need to be exactly 3.66 times the length of your above measurement. It's good to have a little extra to be safe so I usually times it by 4 to keep it simple.
Julia Bobbin: Tutorial - Pleated Detailing

I cut my strips with a 10cm width, but you can make your pleats as long or narrow as you like.

Note: I cut my fabric on the straight grain which makes the pleats a bit rigid. This gives it the nice kick out that I like. If you want a flatter-to-the-body pleat you can cut the fabric on the bias, so that the pleats are flexible and curve around the body.

Julia Bobbin: Tutorial - Pleated Detailing

Join your strips together so that they make one continuous strip that is 3.66 (or 4!) times the length of your original measurement.

Tip: Join your pieces using a french seam so that there are no raw edges.

Julia Bobbin: Tutorial - Pleated Detailing


Hem the length of your fabric. You might choose do do a narrow hem, or encase the hem in bias binding.

Julia Bobbin: Tutorial - Pleated Detailing

On the right side of your fabric along the long raw edge you are going to make alternating notches in intervals of 4 and 7cms.

The first notches (I've made mine red), are the lines that you will be sewing along. The alternating notches (white) are the lines you will be folding. Place your very first notch on the strip 3 cm in from the short edge of your strip.

Continue marking 4cm (white) then 7cm (red) in alternating colours along the length of your strip until you reach the end.

Julia Bobbin: Tutorial - Pleated Detailing

With WRONG sides together, fold along your first white notch (the second notch on the strip).

Julia Bobbin: Tutorial - Pleated Detailing

Sew in a straight line perpendicular from your hem, at your first notch (red).


Julia Bobbin: Tutorial - Pleated Detailing
Julia Bobbin: Tutorial - Pleated Detailing
Julia Bobbin: Tutorial - Pleated Detailing

Continue to fold along the white notches and sew in a straight line from the red notches until you reach the end of the strip. The width of each pleat should overlap the previous stitching line so that it is not visible.
Julia Bobbin: Tutorial - Pleated Detailing
Julia Bobbin: Tutorial - Pleated Detailing
Julia Bobbin: Tutorial - Pleated Detailing

The back of your pleats will be flat and should look like this.

Julia Bobbin: Tutorial - Pleated Detailing

Press your pleats in one direction

Julia Bobbin: Tutorial - Pleated Detailing

Baste along the raw edge of the strip to hold the pleats down.
Trim your loose threads.

Julia Bobbin: Tutorial - Pleated Detailing

Attach your pleats to a seam, or fold under the raw edge and sew onto your skirt.

Tip: I like to overlock the raw edge of the strip once I have basted it.

Julia Bobbin: Tutorial - Pleated Detailing

And you're done! Isn't it pretty?!!

Here are some projects that I have previously made that have pleated detailing. Click on the pictures to see the blog posts.

Julia Bobbin: Tutorial - Pleated Detailing
Julia Bobbin: Tutorial - Pleated Detailing
Julia Bobbin: Tutorial - Pleated Detailing

GIVE AWAY WINNERS!

Congratulations to the following winners who were both randomly selected and have both won a $50 e-voucher to Mood Fabrics!

Angella *originally listed the wrong web address, sorry! Angella please email me at julia[at]juliabobbin.com
and
Jess from Jessthetics

Hooray! I'll be emailing you in the next few days with your vouchers!


Happy sewing everyone and if you use the tutorial, I'd love to see your pictures! Have a lovely week xxx

Sunday, 24 November 2013

Project Sewn Results + Mood Fabrics Voucher GIVE AWAY!!

Oh my gawd you guys! I came second in Project Sewn! Release the doves!!

Check out the dresses: Top Left - Top Right - Bottom Left - Bottom Right

Thank you SO (sew) much to all of you who followed along and voted!

As a special thank you I am giving away two $50 vouchers to Mood Fabrics. If you don't know already, Mood is the fabric store for Project Runway in the U.S. and they now ship internationally too.



To WIN 1 of 2 e-vouchers for Mood Fabrics

Simply comment on this blog post

Two lucky peeps will be randomly selected and each will win one $50 e-voucher.

Entries are open to everyone from anywhere in the world
Entries close on Sunday, December 1st, 2013
The winners will be announced in a blog post on Monday, December 2nd, 2013



Something random for you:

Remember my 'A rose is a rose, is a rose, is a rose' dress? Well there's a movie out at the moment called 'About Time' and the dress in the promo reminds me a lot of my dress! You can learn how to make these rose sleeves with my tutorial here.

Click on the photo to follow me on Instagram

What I've been up to this week:

Saw the amazing how-can-one-person-be-this-talented Jill Scott at the Palais Theatre and almost hyperventilated it was THAT GOOD.



Oh and guess what I did this weekend? Oh ... you know, just had brunch with the talented Leisl from Jorth and the inspiring Kristiann from Victory Patterns and her wonderful partner Simon. Nothing much! Needless to say I had an amazing time and my face is still sore from all the epic smiling and talking!

Thanks again to everyone for your support through Project Sewn. Your words of support made me feel all sorts of warm and fuzzies and I feel very lucky to be part of such an encouraging and positive community.

Tuesday, 20 August 2013

Tutorial: How To Move Darts without slashing your pattern


Well poke me in the eye with a seam ripper. I can't believe it's been over 2 1/2 months since my last blog post! I blame in part seasons 1-3 of 'The Walking Dead'; what is it about a zombie apocalypse that is so freaking addictive? But mainly I have been a very busy lady.

Here's a quick catch up:

  • I just got back from vacationing in Italy (amazing!!) with a six month old child (wow) and bought myself a lot of stunning Italian leather and lace
  • I'm currently a judge in the fabulous 'Super Online Sewing Match' hosted by Sew Mama Sew which is absolutely inspiring. Check the competition out if you haven't already!
  • I'm also involved with another exciting upcoming project which I can't tell you about yet, but I'm so looking forward to. Oh how sneaky! 
  • I'm taking part in the Handmaker's Factory Miette Cardigan Knit-A-long and you should too! Yeah that's right, I knit now; like a boss. 
  • I've made a bunch of clothes that I will be posting about soon.
  • Just completed a short course in Pattern Making and absolutely loved it! I am a little bit in love with Kate the teacher who knows her shiz.
  • And finally, you may have noticed that my blog has been given a bit of a make over!


Tutorial: How to move a dart

One of the simple and effective things that I learnt and loved from my recent course in Pattern Making, is how to move darts and and create design lines without cutting and slashing your pattern. It amazes me how easy this is. Maybe you have a bodice you want to make out of lace and the darts are in a position that interupts the flow of the lace pattern. This tutorial will show you how to move that dart to where ever you choose.

Things you'll need:
  • Bodice pattern piece
  • Tracing paper
  • Pencil and eraser
  • Ruler
  • Awl
  • Tracing wheel
  • One Long Island Iced Tea - for pattern making inspiration
  • Really old nail polish job. Wow my nails look ah-maz-ing

Let's Do This

Summary
The images below show the original pattern with two darts, and our final pattern with the darts moved into one at the side.



Tracing your original pattern

1.  Get your bodice front pattern piece. Trace off a copy if you don't want to mark your original. I have drawn mine onto a piece of cardboard for more stability.
Note: My pattern piece doesn't have seam allowance added yet. I find it easier to see the true shape of the pattern without getting confused with allowances.




2.  Find your bust point on your pattern and make a mark there for your reference. The bust point is drawn in blue, and the original darts I have drawn in red.
Tip: If your pattern doesn't have the bust point marked, hold up the pattern piece on yourself or on a dress form and mark with a pen the fullest point of your bust. This will be your bust point. Generally the darts are pointed towards the bust point.

3.  Draw a circle around the bust point with a radius of 3cm. You can see mine in green.
Note: The length of the radius is up to you, generally the smaller circle is for a smaller bust and the larger for the fuller bust.



See that lovely circle we just made around the bust point? That's our no-go dart zone. This will make sense soon.

Positioning your new dart

4.  On your pattern piece draw a line where you would like your dart to go. Your line will need to start from the edge of the pattern piece and finish at the bust point. I have done mine in pencil.
Tip: If you are moving a dart to a side seam, draw the line on an angle and not horizontally which is more flattering and looks more pleasing to the eye.


5.  Place your pattern piece on top of a large piece of blank tracing paper. Mark on your tracing paper where your bust point is.

Starting at the line you have just drawn you are going to trace your pattern piece in one direction, until you come to your first pre-existing dart.
Tip: Keep the pattern piece as steady as you can to avoid distorting the shape. Place a weight over the centre if it helps.

Julia Bobbin - Tutorial: How to move darts - Bodice front

Closing off the original darts
In the next steps we are going to remove the original darts and create our new dart.

6.  Once you come to your first dart, mark a notch at the first dart leg for your reference. Using your awl at the apex of your dart carefully pivot your pattern piece until the second leg of the dart lines up with the notch of the first leg.
Tip: If you don't have an awl, you can use a sharp pencil or the point of a fine pair of scissors to act as your pivot tool.

 Julia Bobbin - Tutorial: How to move darts - Bodice front
Julia Bobbin - Tutorial: How to move darts - Bodice frontJulia Bobbin - Tutorial: How to move darts - Bodice front

See how the pattern piece has now moved?! You have just closed off that dart!

Julia Bobbin - Tutorial: How to move darts - Bodice front

7.  Continue tracing around the pattern piece until you come to you next dart and repeat the process.

Julia Bobbin - Tutorial: How to move darts - Bodice frontJulia Bobbin - Tutorial: How to move darts - Bodice frontJulia Bobbin - Tutorial: How to move darts - Bodice front

Once you have no more darts on your pattern, continue tracing until you come to your dart line that you drew on to your pattern piece and stop.



Completing the new dart

8.  Remove your pattern from the tracing paper and have a look! See that big open gape, that's your new dart! (almost)


9.  With a pencil and a ruler, draw in your dart legs going all the way into the bust point.


Remember your no-go dart zone? Make a mark at the edge of the bust circle (3cm away from bust point), making sure that it is centred between the two openings.


10.  Draw your two dart legs from that new apex to the openings on your pattern piece. This is your new dart! Depending on how close the base of the dart is to the bust point, will determine how long or how wide the dart is. But don't worry, the dart value is still the same.
Tip: Both dart legs should be exactly the same length, so get your ruler and make sure they are the same.

Julia Bobbin - Tutorial: How to move darts - Bodice front
Julia Bobbin - Tutorial: How to move darts - Bodice front

11.  Now you will carefully fold one of the dart legs to meet the second so that the dart is closed off. Score the new dart legs with a pen or pencil to make it easy to fold.
Tip: The direction of the dart is up to you, but generally the bulk of the dart is folded towards to the centre of the garment.
Tip 2: By folding your dart you're making the piece 3D. To make it easier to fold, place the apex of the dart on the corner of a table.

Julia Bobbin - Tutorial: How to move darts - Bodice front

12.  If traced correctly, your two dart legs should meet so that it becomes one continuous line. With your tracing wheel, trace over the dart edge where the bulk of the paper is folded under.

Julia Bobbin - Tutorial: How to move darts - Bodice front

13. Open up your pattern piece. The dots on your pattern made by your tracing wheel is the finished shape of your dart. Trace over it with a pencil.
Tip: If you don't have a tracing wheel, use an awl or the edge of a pair of scissors to mark along the line instead.

Julia Bobbin - Tutorial: How to move darts - Bodice front

14.  Add your seam allowance to your pattern piece  and you're done! You now have a new bodice with your measurements, but with the dart in a different spot!

15.  It's Long Island Iced Tea time - you're done!

What do you think guys? Are you going to give this a go?
Have fun with your new patterns!

Julia Bobbin - Tutorial: How to move darts - Bodice front
1. Starting the knit-a-long 2. Fabric splurge in Italy 3. My finished knitted sleeve 4. Harry and I on the beach in Italy.